AL-YOM TODAY torn curled folded

Price range: £30.00 through £35.00

 

Al-Yom Today Torn Curled Folded is the third edition (2026) of the artist publication,
and brings together photographs (of photographs), research, essays and editorial design by paula roush, working from the Al-Yom collection at the Arab Image Foundation, Beirut.

The publication incorporates excerpts from L’Ombre d’une ville (Elie-Pierrre Sabbag, Paris: Buchet Chastel, 1994), and is structured through research and editorial correspondence conducted in Beirut in 2015.

This third edition (2026) revisits and re-edits the project as an unstable correspondence — unfolding across image, archive and text. It consolidates the project’s editorial trajectory, maintaining its original correspondence structure while re-articulating the material sequence of images and texts. Working at A6 format (10.5 × 14.8 cm), the book foregrounds scale and intimacy as structural conditions. The bilingual English/French publication extends the project’s transnational framework, situating Beirut-based archival research within a broader circulation of image practices. Each of the 500 numbered copies forms part of an ongoing engagement with the Al-Yom collection and the politics of photographic preservation and re-editing.

 


watch video flip-through of the book design

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Description

Al-Yom Today Torn Curled Folded is a photo-textual publication developed from a damaged photographic archive associated with the Lebanese daily newspaper Al-Yom, active until its violent interruption at the outbreak of the civil war in 1975.

The project began at the Arab Image Foundation in Beirut, where several storage boxes labelled Al-Yom contained photographs classified as “torn, curled, folded” — a working archival designation for images whose damage exceeds conventional preservation thresholds. The photographs bore accumulated traces of humidity, pressure, repeated handling, and displacement. Damage appeared not as a single event, but as duration.

Rather than restoring the archive to a stable historical narrative, the book works from within this instability. Fragmentation, delay, and contradiction are treated as structural conditions.

The publication brings together photographs (of photographs), excerpts from Elie-Pierre Sabbag’s L’Ombre d’une ville (Paris: Buchet Chastel, 1994), and a sequence of email correspondence documenting research conducted in Beirut in 2015. Moving between image, essay, and editorial design, the book treats the archive not as material to be repaired, but as a condition to be worked through.

photographs (of photographs), research, essays and editorial design: paula roush
source archive: Arab Image Foundation, Beirut — Al-Yom collection
text: Elie-Pierre Sabbag (excerpts from L’Ombre d’une ville, Paris: Buchet Chastel, 1994)
research and editorial structure: email correspondence conducted in Beirut, 2015

pages: 216
language: English / French
printing: full colour (interior)

paper:
– 120 gsm recycled uncoated (paperback interior)
– 100 gsm uncoated (hardcover interior)

cover:
– 170 gsm uncoated, grayscale printing (paperback)
– adhesive casebound, grayscale printing with matt lamination (hardcover)

binding:
– perfect bound (paperback)
– adhesive casebound (hardcover)

dimensions: 10.5 × 14.8 cm (A6, portrait)
isbn: 978-1-7396192-0-6
third edition: 2026
edition: 500 numbered copies
published by: msdm publications

 

read more:
Al-Yom, Third Edition: Re-Editing an Unstable Correspondence

Additional information

Weight 0.450 kg
Dimensions 10.5 × 14.8 × 2.5 cm
Format

Hardcover, Softcover